Under the title LANDSCAPES I experiment with the material as a support.
Like a painter who stands in front of his canvas, a draftsman in front of his drawing paper, a copyist in front of his page, I transcribe fragments of my readings, I draw or reproduce drawings, I annotate, I number, I date… or I do nothing, I leave my page black.
Numbers or texts, mathematical equations or transcriptions, drawings or plans, I inscribe, as in the pages of a logbook, my journey through creation.