WORDS OUT OF STORY
It was while leafing through books by anonymous authors that I discovered the strength of certain sentences, when they were isolated. These fragments, once extracted from their original narratives, I chose to associate them with other debris, of mineral origin, pieces of clay, wood, etc., which I found to be of great interest to me.
The two isolated parts, bearing the traces of their fragility, thus find a new identity.
Lorsque les artistes plasticiens s’intéressent au langage, ils l’utilisent rarement sous une forme bavarde.
La matérialité de leur pratique implique que la parole qu’ils s’approprient soit réduite à l’essentiel de son efficacité. *
* Extract from the 1997-2017 catalogue, Louis Moret Foundation, Marie-Fabienne Aymon, Parole d’objet, 2014.